SA Cannes Lions Winners from Day 3

Day 3 was a great day at Cannes Lions for South African agencies with 19 more Lions being awarded. The only sad thing was the 3 Cyber (Digital) nominations, all from Ogilvy Cape Town, failed to convert to South Africa’s first Cyber win….maybe next year then. 

The new agency totals are below, SA agencies now have a total of 30 Lions coming home. To see the winning work just click on the images to enlarge them.

For up to date SA news from Cannes follow @ididthatad or #CannesLions on Twitter

Cannes Day 3

Press

2 x Silver for TBWA\Hunt\Lascaris // Flight Centre: Student Flights

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1 x Silver for Black River FC // 1st for Women Insurance: Cliff, Dubai, Fence

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1 x Silver for Lowe Cape Town // Cape Times: Selfies

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1 x Silver Lions for Y&R South Africa // Land Rover: Webtropolis

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1 x Silver for Net#work BBDO JHB // Mercedes: Dolphin, Holiday, St AndrewsMerc 2Merc3Merc 1

Design

1 x Silver for TBWA\Hunt\Lascaris // The Rhino Stamp Project

1 x Silver for Ireland Davenport // Habitat for Humanity

1 x Silver for Jupiter Drawing Room CPT // Brandhouse: Point of Purchase Grille

1 x Silver for Machine // Marmite: Blogger Drop

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1 x Bronze for TBWA\Hunt\Lascaris // TBWA: Send back the brief

1 x Bronze for Joe Public // OFM: Music Boxofm-loerie-012

1 x Bronze Jupiter Drawing Room JHB // ABSA: Design Indaba

Radio

2 x Gold for Net#work BBDO JHB // Mercedes: TMA, Nest

 

1 x Silver for Havas Worldwide // Strepsils: Girl, Guy

 

1 x Bronze for TBWA\Hunt\Lascaris // Nampak: Twinsaver Tissues

 

1 x Bronze for Foxp2 // Frank.net: Chocolate bar, Mothballs, Grand Canyon

 

1 x Bronze for Net#work BBDO JHB // Mercedes: Scooter, Virus, Lawyer

 

Winning SA Cannes Lion Work So Far…

So far we have 11 Cannes Lions coming home to South Africa, pretty much all of it for traditional categories (see agency results table below). With a few more days to go we still have chances of winning in Cyber, Radio, Press, Design, Film, and more, so should be an exciting time ahead.

For up to date SA news from Cannes follow @ididthatad or #CannesLions on Twitter

Day 2 Cannes

Winning work so far

Promo and Activation
2 x Silver Lions for Y&R South Africa // Hope Soap

1 x Bronze Lion for Draft FCB Cape Town // Vital Viral Boost: The Worlds smallest Idea

Media
1 x Silver Lion for Joe Public // Brothers for Life: Shed light on rapeShed Light on Rape

1 x Bronze Lion for Ogilvy Johannesburg // KFC: Journey of hope

Outdoor
1 x Silver Lion for Draft FCB Cape Town // Engen: Fire blanket

2 x Silver Lions for Ogilvy & Mather Cape Town // Volkswagen

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1 x Silver Lion for TBWA\Hunt\Lascaris // Doom: Wall of shoes

1 x Bronze Lion for Y&R South Africa // Land Rover

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1 x Bronze for TBWA\Hunt\Lascaris // Nampak Toilet paper

 

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Mannes in Cannes. Inspiration day.

Cannes

Words by Monsieur Chris Gotz

While eating duck breast with strawberries on a bed of bulgur wheat laced with raspberry jus I decided yesterday that Cannes is not kak. Yesterday was a particularly unkak day. Last night at the Outdoor, Mobile, Innovation and Media ceremony we won things, our country won things and, yes, Dumb Ways to Die won things, but you can’t have it all.

South Africa kicked some decent butt in Outdoor when a happy pride of Silver and Bronze Lions lolloped over the horizon ( it is debatable whether Lions lollop but I am going to go with it ). The totally lekker Doom “Wall of Shoes” by TBWA / Hunt / Lascaris Joburg grabbed a Silver, which is good, because a laak it. Also on the scoreboard was Ogilvy Cape Town with 2 Silvers for Volkswagen. One for the Volkswagen Genuine Parts “Puzzles” Campaign and another for the really smart (are you allowed to say that if it’s your own work?) “Don’t text and drive” work.

Also in the frame were Draft FCB Cape Town for their bleddy brilliant Engen “Fire blanket”.

Finally Y&R continue their happy week with some more metal for Landrover.

The Outdoor Grand Prix was one of my favourite pieces this year. The IBM “smart ideas for smarter cities” work by Ogilvy Paris is simple, smart and so beautifully on strat (yes, that is important to creative people) for IBM. I love the fact that it’s a fairly low-fi piece for a hi tech brand. I am also proud to say that the ECD of Ogilvy Paris is SA born Mr Christopher Garbutt.

Mobile is always interesting. South Africa should be winning in mobile. Our mobile growth and penetration is huge, it’s one of the best ways to reach people we probably couldn’t talk to any other way, and yet, nothing, fokol. Not a single South African mobile winner. Instead of being “traditionally strong” in radio, we should be traditionally strong in mobile. It is arrogant and ignorant in the extreme that our mobile creativity is non-existent, we aren’t even trying. Come on everyone, you love your bloody iPhones so much, let’s do some things ( I realize that is one of the most pathetic and nonsensical motivational speeches of all time, apologies).

Some of the best work of the Festival was on show in the mobile category last night. Ogilvy Paris had a corker where they gave away free WiFi in exchange for online Scrabble points. The Score Cleaner Notes app will write sheet music for you when you hum into your phone. And please, please have a look at the Reborn App piece by Antwerp based Duval Guillaume Modem for Organ Donation. Pure genius. The clear and growing intersection of dev, creativity and tech innovation in mobile work is becoming more and more pronounced. I am sad to say we are way, way behind in SA.

The best idea of the Festival so far was from DDB Dm9 for Smart Textbooks. They recycled old sim cards and downloaded school textbooks onto them (the textbooks were proving too expensive to print). The sim cards were then handed out at schools and kids popped them into their phones. Voila. That’s what I love so much about Cannes, the ideas that prove that our industry truly can make a huge difference if we do what we do well. Technology is magnifying the power of creative thinking more than ever before Viva la revolución.

The innovation Lions were interesting, lot’s of software and apps and deep tech ideas. There was talk that it felt like the industry was stepping outside of its territory, which I think is the point really isn’t it? The Grand Prix went to Cinder from The Barbarian Group, who created a software development platform for creative coding. Another winner was the GetIn bank credit card from MasterCard, which reveals the balance of your card as a digital readout on the card itself. Not sure if that would be good idea in South Africa.

My absolute favourite talk so far has been “How not to be a douchebag in advertising” by the perfectly wonderful people from Mother New York. I can think of a few people back home who could have done with this information. The talk was really all about finding your happy place in advertising. They proceeded to skewer the big network structures and condemn us all to advertising purgatory. They don’t have account management at Mother. Now, while it has been tempting to occasionally exterminate errant account management people, I have never thought of leaving them out of the structure altogether. What would we charge our clients for if we didn’t have a brigade of client service people on their fee ? How would we make money? We would be forced to rely solely on our creative product for our income. Gasp, horror.

Then Huffington Post power woman and ultimate leaner-inner Arianna Huffington took the stage to talk about how to stay healthy and wise in the digital age. It was fascinating and inspiring and just made supreme sense. She talked about the value of sleep, something that felt very relevant to me having been kept awake last night by an air con unit that sounded like it was powering the Death Star. She recommended nap rooms and meditation rooms in agencies (these are common now in the US, but not in agencies). And, aptly, she made the observation that creative people are at their best when they are allowed to rejuvenate regularly. This is not a startling observation, but she did point out that agencies somehow derive a weird sense of bravado about pushing mega hours. I tweeted about how impressed I was with her talk. She replied within minutes, thanking me. That is seriously impressive. I do realize that her twitter handle may very well be managed by a call centre in Bangladesh, but I am still impressed.

The opening Gala followed the ceremony last night. This is kind of like a United Nations of men with beards and spectacles and women in strappy dresses talking in 150 languages about how shit the decisions of the various juries have been throughout the week. I did hear some interesting stuff though. Client attendance is through the roof this year, 40% of Cannes delegates are marketers this year. That is astounding.

In other news Ogilvy seem to be hurtling towards network of the year. Over 80 Lions and counting now, more than in the entire week last year. Although I must say that all this ranking and tabulating and counting and comparing the various distances and velocities of our own urine might be a little (just a little) over the top. Just saying. We are here to see the work. We are here to find out how to push our industry forward. We are here to seek out new ways to sell our clients’ stuff and make money for their employees and shareholders. Most of all we are here to discover how to change and adapt to and cope with the single biggest advance in the human condition since the bloody industrial revolution. So reducing it all to a conversation about who has the biggest willy is a bit sad and, dare I say, a bit male. Perhaps Arianna Huffington was right – the first women’s revolution was asserting their right to vote. The second has been establishing their place at the top of the men’s world – in business, in politics, in the arts and communication. The third is still to come, in which women express their dissatisfaction with this world of men and change it completely to make it one of their own design.

If this is the case then my wonderful, lovely wife is way ahead, certainly in my house anyway.

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A Mannes in Cannes: Shortlist Monday

Cannes Lions Banner

As I write this the Dutch Young Creatives party is going full tilt across the road from our apartment. This is a bit like Armageddon at 160 beats per minute. The DJ has just played a set composed almost exclusively of themes from 80’s and 90’s video games. They are now thrashing around to Die Antwoord which, apart from inspiring a bout of masochistic patriotism, seems appropriate. Every now and then loud hill-billy like screams rise up out of the music, as if to suggest one of the Dutch Creatives has perhaps found the block of hash that went missing while flailing wildly to the tune of Pacman moments earlier.

Shortlist Monday began much earlier though, with Jack Black and Yahoo on stage for a seminar. I am not quite sure of Jack’s connection with Yahoo, neither was Jack for that matter ( it appears he may be making “content” with them) but let’s face it, Yahoo needs all the help it can get at this stage. Jack Black had the pleasant outlook of someone who went to bed drunk and woke up still feeling fairly tipsy. He was funny and said the word “internets” a lot, which I think was his way of trying to pay his dues. Also on stage was a fuzz-faced 17 year old in bright yellow trainers named Nick D’Aloisio. Nick was having a good day, in fact it is safe to say Nick is having a good life. At the age of 15 he raised enough venture capital to launch Summly, a news aggregation program which he recently sold to Yahoo for 15 million dollars. Nice one Nick. As I said, Yahoo needs all the help it can get, especially from brilliant 17 year olds in yellow trainers.

It was Shortlist Monday, so the Palais was filled with neurotic ECD’s charging up and down the display boards trying to find their work. The search was partially successful in South Africa’s case, with a fair smattering of Shortlists jumping Donkey Kong-like into view (the video game metaphor decision is one I am beginning to regret so I may not persist with it). I am backing the “Selfies” campaign for Cape Times to collect metal, perhaps Gold, in Press or Outdoor. South Africa was well represented in Outdoor, not so much in Promo and Direct and PR. That’s important to note, because the interesting, gamechangy work is happening in those categories, so we need to be stronger there.

One of the highlights of yesterday was an unscheduled meeting with Sir Donald Gunn, he of the fabled and crucial Gunn Report rankings. I call him Uncle Donald, because he is an old mate of my dad’s and also because it greatly elevates my self esteem by mentioning that. Besides offering a gratuitous name dropping opportunity, coffee with Uncle Donald was important for another reason, he is very plugged in, and we had a lovely chat about the potential Film Grand Prix. Of course the crowd favourite is already Dumb Ways to Die from McCann’s Melbourne (they were clapping and singing along with it at the ceremony last night already). However the Chairperson of the Film Jury is a certain Sir John Hegarty, a difficult and contrarian and brilliant adman, who is unlikely to let the jury default to populist choices. Uncle Donald seems to think it will be a straight fight between the wonderful “Susan Glenn” story for Axe and the DWTD (this abbreviation of Dumb Ways to Die now being necessary because of serial mentions that will greatly increase my word count, although this lengthy explanation of the abbreviation has kind of defeated the object a bit). Thing is, said Sir Donald, the Susan Glenn film is by Hegarty’s own agency BBH. So the plot is simmering into a nice thick fishy provencal broth on that one.

In the early evening we took our place in the queue behind the 2 thousand Japanese creatives (who had been waiting patiently for 5 hours in order to secure picture friendly seats) for last night’s ceremony. First up was PR. I must say PR is becoming increasingly crucial to what we do, and the work progressively more interesting. I suppose the rise of “native” advertising is driving that to some extent ( mentioning “native” advertising as often as possible seems to be very trendy at Cannes) I have yet to find out what it is but when I do all will be revealed. I loved the Google Plus work by Ogilvy Paris, “Same Sex Marriage”, proof that you can create a story around the story with masterful PR, or “newscrafting”.

Predictably the Dove “Sketches” work from Ogilvy Brasil won multiple Gold Lions, including a few for PR. It got a huge cheer. It is now one of the most watched pieces of content (lank points for mentioning “content” again) of all time, the cats will not be pleased. Biggest PR cheer of the night was for an idea we could do with in South Africa, from Voskhod Yekaterinburg in Russia for the ura.ru City website. Check it out, really smart and funny. The Grand Prix in PR went to DWTD by McCann’s Melbourne, I suspect the first of a few Grand Prix for them this week. Warning : if you watch the case study the tune will lodge in your head for days, which is probably better than carrying around the theme from Donkey Kong that currently haunts me.

Next up was Promo and Activation. I loved, and always have loved, the work for the London Borough of Greenwich by OgilvyOne London Group. It is important if only for the fact that it uses a behavioural economics insight, something which will come to define our industry over the next few years, I suspect. The Grand Prix went to a fabulous idea from Ogilvy Brazil for Sport Club Recife FC. It has everything, drama, huge emotional appeal, a public service spin and to top it all a simply brilliant idea. Advertising that saves lives will always transfix a jury. Ogilvy Brasil went on to win 8 Gold and a Grand Prix last night, they are now the Usain Bolts of the ad world, making all the rest of us feel inadequate and weedy.

I was a bit disappointed with the Direct Lions. There has always been a preponderance of Charity and PSA work at Cannes, the obvious emotional appeal of causes and appeals makes it an easy target for awards hungry agencies. But as a jury, and especially as a Chairperson, you need to accept and try and mentally account for that. Not the Direct Jury. Oh no, they were flinging Gold Lions at charity work like French Air Traffic Controllers chucking stale baguettes at a wildcat strike. Mark Tutssel, the Chairperson of the Direct Jury, should stand on a street corner and self-flagellate, possibly with a stale baguette. If I was a client watching that lot I’d be pissed off. Then the Direct panel topped it off with the monumental howler of the week so far and gave the Grand Prix to a film, DWTD. Yes, there’s was a reachy attempt by the agency to make it a “direct” idea, but come on Direct Jury, get a freaking grip people.

Last up was the first Effectiveness Lions. A nice sprinkling of work with once again some decisions more questionable than a Bafana Bafana defensive performance. They gave an effectiveness award to John Lewis for, er, being brave enough to run some lovely commercials. Brilliant. They redeemed themselves somewhat by giving a Lion to American Express for Small Business Saturday, but they will have to do better next year.

Well done to the lads and lasses at Y&R SA who picked up 2 Silvers last night for their “Hope Soap” idea. Apart from that the SA pickings were lean. Tuesday sees the Cyber Shortlist, so we’ll find out if Graham Warsop’s case of Champagne will be liberated this year or not. I must say I do fancy striding into his office and lifting it off the Chesterfield. If we don’t Shortlist then, well, there will be much flailing of arms and moaning and drowning of sorrows in bottles of Rose served by diffident and unsympathetic waiters. We live and hope though.

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A Mannes in Cannes, just about.

Cannes

Words by Monsieur Chris Gotz

I am not yet A Mannes in Cannes. At the moment I am a man in an airplane somewhere over France. Until a few days ago the French Air traffic controllers were all stamping their feet and throwing stale baguettes about the place in a fit of pique over new EU regulations to reduce the amount of air traffic control hubs over Europe. This would significantly improve the efficiency and safety of air traffic over the continent, however it would also significantly reduce the amount of French air traffic controllers, hence the flinging of stale baguettes and a wildcat strike. My BA flight seems to be flying in a dead straight line towards Cannes, so clearly tempers have cooled for the moment.

There have been so many Cannes Predictions in the past week it was hard to keep it up. They were flying around like stale baguettes in a French air traffic controllers strike. Nevertheless, I do feel I should weigh in with some thoughts on what will win. That way, presuming my predictions are spot on, you can all save yourselves the trouble of actually following the Festival online.

Let’s juggle the narrative a bit and start at the end then. The week will end with a Grand Prix for Film going to the fabulous “Dumb ways to die” public safety film by McCann’s Sydney. By then everyone will be singing along with this catchy number and it will be lovely and remind everyone of the whistling along to Honda Grrrr all those years ago. The Film jury will feel awfully pleased with themselves because “Dumb ways to die” is more of a music video, “content” thingy than an actual commercial. This will give the jury and the jury chairperson, John Hegarty, the chance to use the word “content” frequently in their interviews, which, as everyone knows, is absolutely essential if you are going to have any credibility at all these days. I think by the end of the week “Dumb ways to die” will have won so many times it may cause jealous creatives to actually seek out a few dumb ways to die themselves. Expect a drunk Pole to march into the Med with a hair dryer – which wouldn’t actually kill him because it wouldn’t be plugged in, but he is, after all, a drunk Polish man.

Coming close to a Film Grand Prix, and my personal fave (not that my opinion matters anywhere beyond my cramped economy class seat ) will be the brilliant Southern Comfort film from Wieden’s – “Whatever’s Comfortable” – an exercise in strangeness and quirk that makes me happy every time I watch it.

I think Felix Baumgartner and Red Bull’s Space Jump thingy will win frequently this week. Apparently 8 million people watched it live online, which is slightly less than your average to good cat video can pick up in a few days. Admittedly cat videos are not live, but they could be, although to get the cats to cooperate would be difficult. I am not a big fan of the Red Bull thing. I watched it and I was utterly bored throughout. But, once again, it allows people to talk sagely about “content” and “branded entertainment” and for these reasons alone it will dominate the week. Grand Prix tomorrow or Tuesday for something I would guess.

Probably my favourite piece of work going into this week is Dove “Sketches”. It is an activation, a film, a direct marketing piece and probably also qualifies in a hundred other categories. It is a beautiful piece of truth, brilliantly executed and bang on strategy for Dove. It is also the most watched piece of commercial “content” in ad history online. I expect it to win big. It may just put Ogilvy Brazil in pole position for Agency of the Year. Hope it does.

In Outdoor I really love the IBM “Smarter city” work by Ogilvy Paris, it will feature prominently I think. Another piece of genius IBM work is the “World’s Smallest Film” by Ogilvy New York. Anyone who takes the trouble and time to isolate and animate single atoms, then magnify them a hundred million times and make a little film about a boy and his ball, well, I suspect even the French air traffic controllers would stop throwing stale baguettes and break into a smattering if applause.

On the other hand I may just be terribly wrong about all of this. In which case I will report faithfully all week about the real results and let you know what everyone thinks. I’ll also try and remember the good bits from the Seminars and give you the sparkly bits from those. Expect many mentions of the word “content” and “data” and “baguette”. Expect also a progressive and all encompassing gloom as our own work slips in and out of contention. Last year I was able to whoop and fist bump and feign modesty and then dance badly at the parties like a 40 year old nerdy white guys. This year, well, we shall have to see, but I’ll make sure I have a few stale baguettes to fling about should the likely eventuality of losing come to pass. It’s the hope, after all, that kills you.

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